关键词： 伊莎贝拉·普里姆 The Red and the Black 剧情 犯罪
BT吧为您提供2011年由让-皮埃尔·伯维亚拉,吕克·慕莱,Thora Van Male,Julien Anselmino,阿丽尔·朵巴丝勒,雷蒙·德帕东,伊莎贝拉·普里姆主演,伊莎贝拉·普里姆导演的《La rouge et la noire》/又名《The Red and the Black》剧情,犯罪电影在线观看完整版,《La rouge et la noire》百度云网盘资源以及《La rouge et la noire》高清蓝光mp4迅雷下载，《La rouge et la noire》BT下载资源，希望您能喜欢！
Carrying on Lue Moullets unfinished screenplay about the theft of la pénélope, a camera created by Aaton and capable of recording equally well in 35 mm and digitally, LA ROUGE ET LA NOIRE is a film in kaleidoscope form. The portrait of Aatons founder, Jean-Pierre Beauviala creator, inter alia, of the time-code and the light cameras used by the New Wave (in particular the bush c...导演：伊莎贝拉·普里姆
主演：让-皮埃尔·伯维亚拉 吕克·慕莱 Thora Van Male Julien Anselmino 阿丽尔·朵巴丝勒 雷蒙·德帕东 伊莎贝拉·普里姆
又名：The Red and the Black
Plot Summary:Carrying on Luc Moullets unfinished screenplay about the theft of la pénélope, a camera created by Aaton and capable of recording equally well in 35 mm and digitally, LA ROUGE ET LA NOIRE is a film in kaleidoscope form. The portrait of Aatons founder, Jean-Pierre Beauviala creator, inter alia, of the time-code and the light cameras used by the New Wave (in particular the bush camera specially designed for Jean Rouch) is centered around the basic plot introduced by two women thieves who talk as voice-overs, and whose identities will only be revealed at the end. The film weaves its canvas through many different styles of imagery: Beauvialas private archives shot in 16mm, images that the artist produces in Aaton work areas, digital inlays of a little monster who metamorphoses on the screen. The latter, a variant hailing from the Aaton advertising icon of the cat on the shoulder, permeates and interferes with the film, embodying potential menace and representing the narrative thread. Through an operation involving the desynchronization of sound and image, Isabelle Prim creates a gap between the plot and her commentary, and increases the number of image-related signifiers, to the point of introducing doubt about what we are being shown. Right up to the final slip, when the thieving women get in a muddle over the camera, and make off with the one used by Beauviala himself to produce his archives. Full circle.
